Museu itinerante carrega memória e histórias da Maré

Projeto, idealizado pelo professor e fotógrafo Francisco Valdean, surpreende pela forma e encanta por seu conteúdo

Thaynara Santos

O que uma pequena caixa de papelão pode revelar? Esse é um dos questionamentos de quem vê pela primeira vez o Museu da Imagem Itinerante da Maré (MIIM). Álbuns de fotos que revelam memórias da Maré guardadas pelos seus moradores, rolos antigos de filme, monóculos, uma lista de presença para os visitantes – tudo isso cabe num espaço destinado a um par de sapatos. Diferente de um museu tradicional, o minimuseu vai até seu público, não importa o lugar, faça chuva ou faça sol. Francisco Valdean, criador, diretor, curador e guia do museu, conta que a reação ao MIIM é variada, muitos se surpreendem pelo tamanho inusitado, pelas imagens antigas que remontam uma Maré ainda em construção e pelo reconhecimento de personagens conhecidas no território.

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O MIIM, que foi apresentado ao mundo num post na rede social de Valdean, surgiu em agosto deste ano e já saiu na mídia internacional. No texto de divulgação, Francisco Valdean, explica que a criação do museu está atrelada ao seu trabalho acadêmico e que seu surgimento não foi de uma hora para outra. “O museu MIIM é parte integrante de minha pesquisa de doutorado. Mas é também fruto de uma vontade antiga que tenho de criar um dispositivo que permita apresentar à Maré e bater papo sobre as imagens da região, com os próprios moradores, mas também poder apresentar para a cidade outras imagens que narram a cultura, a vida cotidiana e política do maior conjunto de favelas do Rio de Janeiro”, diz.

O Museu da Imagem Itinerante da Maré circula por escolas, ONG’s, bares, casas, aniversários, churrascos de família e muitos outros lugares. Para acompanhar a agenda, fique atento à página do Facebook. No próximo dia 21 de outubro, o museu estará na Creche Municipal Pescador Albano, na Vila dos Pinheiros, Maré.

Uma trajetória ligada à fotografia e identidade regional

Francisco Valdean, professor, artista, nordestino, fotógrafo e mareense de coração, explica que sua caminhada foi conectada à arte ainda muito cedo. Em sua dissertação de mestrado, o cearense identificou três principais recortes feitos pelos grandes veículos da mídia tradicional quando pautam a favela: Imagens da Violência, Imagens das Remoções e Imagens das Palafitas. “A minha trajetória na fotografia, começa em 2004, quando fiz o curso Imagens do Povo, no Observatório de Favelas. Em 2004, também estava no segundo ano do ensino médio, estudava na Escola Bahia. Ao mesmo tempo em que estava ali muito deslumbrado com a fotografia, também estava pela sociologia. Gostava muito das discussões em sala de aula. Aí terminei o ensino médio e o curso e comecei um pré-vestibular pensando no curso superior. Aí tentei ciências sociais. Fui aprovado em 2008, em ciências sociais, na PUC Rio e na UERJ. Optei pela UERJ. Meu TCC na graduação foi sobre as Imagens da Maré e aí eu fiz mestrado também em ciências sociais e desenvolvi uma dissertação pensando a imagem da Maré, pensando suas imagens. As imagens das remoções, imagens das palafitas, imagens das violências e imagens do povo. São esses quatro blocos de imagem que eu estudo na dissertação”, conta o professor.


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